My senses and faculties help me to find the way from here to Killarney but on the way back to God they bewilder and impede me.
-John Moriarty, A Hut at the Edge of the Village
A view of life and commercial real estate from Newark and Licking County, Ohio
My senses and faculties help me to find the way from here to Killarney but on the way back to God they bewilder and impede me.
-John Moriarty, A Hut at the Edge of the Village
And contemplation, I come to see, does not in any case mean closing your eyes so much as opening them, to the glory of everything around you. Coming to your senses, by getting out of your head.
-Pico Iyer, Aflame: Learning from Silence
But when meaning has been disciplined out of language, and the pride of doing something better than other people banished, and the superficial clarity of being a man or a woman prohibited, and the practical instinct of protection and of self-protection disallowed, and life’s simple practices shamed out of existence—when all these timeless human things, all created out of the senses, melt into air, then nothing in our experience will remind us of anything else in our experience, and we will lose the ability to discriminate, to cherish, to judge. Instead of continually expanding our sympathies by helping us to follow the thread of truth through dissimilarity, the moral imagination will shrink to nothing. And then any comparison, and any equivalence, is possible.
-Lee Siegel, from this post
His instinctive approach to the library was synesthetic: books were sensed by smell and look and touch, and only then could the reading process be contemplated. It was only natural, therefore, that the chosen book's characters would come alive for him through all his senses: "quite suddenly, a man or a woman or a child leapt off the page and stood there with you in the immense silence. Then you sat with them for an hour and ran with them and laughed and wept with them." In this way his lifelong love of literature began. His enthusiasm for adaptation and for breaking down genre barriers has its roots in this same crossing of sensations; to "see" the book, to "read" the movie, and to "hear" the staged play have always been natural extensions of the traditional forms for Bradbury. This openness to all the possibilities of a creative idea was formed at an early age, and the gift proved to be both a blessing and a frustration as Bradbury extended his storytelling genius into other genres and media forms.
-Jonathan R. Eller, Becoming Ray Bradbury