It is also true that having spent his formative years among the stonecutters of Settignano, Michelangelo had a feel for the material rare among artists and a respect for the laborers who actually did the backbreaking work of quarrying the stone. He was able to spot minute imperfections that would ruin the finished work, and to judge the density and consistency of the crystalline structure that would determine how the chisel would bite into the stone. Though Michelangelo did more than any other artist before him to lift the profession above the humble status of the artisan, he understood that such a leap into the stratosphere could not be launched without a firm grounding in craftsmanship. He was something of a paradox, a conjurer of cosmic ideas who fussed over the slightest details of his trade, knowing that only the most perfect forms were adequate vessels to contain the vastness of his imagination.
-Miles J. Unger, Michelangelo: A Life in Six Masterpieces
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| Michelangelo Pieta 1498-99 |

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